SAS, that's how you know your stuff. That's how I know some stuff, yeah.
Thought they trained you to kill.
They train us to help people. And then we kill them.
What about your next tour?
There aren't gonna be any more tours, mate. I've left the army.
Zoe. Hi. What are you doing here?
Well, I was gonna call first but I thought...
Now is actually not a great time. Sure. Not a problem. I'll...
You know what? It actually is... it's a bit of a problem.
Because I like you. I want something more.
Mum, is there much more to get?
How much more do you want?
This is fun, isn't it? Sure.
Hey. Hi.
You be good for Dean. (GRUNTS)
Are you sure you're OK with this? Yeah, of course, yeah.
All day with a nine-year-old. Should try hanging out with Chase.
Let me know where you end up. I might join you later.
Hope so. OK. Mwah.
Oh, OK. (LAUGHS) Oh. What?
Ah!
So, uh... you like movies?
(PHONE RINGS) I'll just... I'll just get this.
Lachie, what's up?
You what?
Oh, no, of course. No, no, it's never your fault, is it?
VINCE: (ON RADIO) Rescue Base to all units.
Call-out to Museum of Modern Art - it's urgent.
Details are still sketchy. Ha-ha.
Gonna see him again?
Yeah, I really like him. If he calls again, I guess.
It's up to him now, isn't it?
Up to who? Blind date.
Sex good? Oh, you idiot.
So, was the sex good?
There was no sex. As if there would be sex.
Yet. (LAUGHS)
Lachie, you'd better be on your way in here. Call me when you get this.
Speak to you later.
Gemma Southen, I'm the curator. Lara Knight.
It's one of our cleaners, Richie. People say that he jumped.
Where is he?
Oh, my God!
(GROANS)
SONG: # Mmm, mmm, mmm
# Real dark and dirty
# Gonna get a little dirty, yeah
# I'm gonna get a little
# Dirty, yeah
# Gonna get a little dirty. #
JORDAN: Where's Lachie? CHASE: Not answering his phone?
Alright, Chase, it's locked off. Get up there and see how he's going.
Uh, can't really get close enough to work on him.
Wait, he's conscious. G'day, mate. My name's Chase.
We'll get you down as soon as we can.
He doesn't speak much English. Easy.
Alright, I need to get across to him as soon as possible.
Jordan and Heidi, grab that scaff, let's bring it over.
We'll rig the box truss across for access.
What's the saw for?
We've got to cut that section off. HEIDI: That's it, bring it over.
You can't. This piece is on loan from Berlin.
I'm sorry, but the bottom line is if it's life-threatening, we gotta cut.
Well, my bottom line is the $2 million we'll be out of pocket.
Isn't it insured? Sure.
For fire and theft. Not for rescuing people.
Just wait. I need to speak with the board.
We're not waiting.
HEIDI: $2 million for this?
It's a Buscinki. What?
Buscinki. Odar Buscinki.
It's the last meta-sculpture he made before he went mad.
(SCOFFS) Who are you?
That's what it says on the sign. Oh.
We need to get a line in as soon as we can.
Looks like he's slipping in and out of consciousness.
VINCE: (ON RADIO) Got a report of an MVA outside the gallery.
Elderly woman, trapped in her vehicle, not responding.
Rescue Team Leader, Jordan and I will check it out. Over.
Chase... you're now in charge.
You know what to do? CHASE: Yeah.
OK, get onto Lachie. Let's go.
(GROANS)
LARA: Just stand back for me, please. Just move away.
This isn't gonna be easy.
Especially if it's a heart attack. In through the back, out on the KED?
Let's stabilise the vehicles first, though.
Hello?
This is Rescue. Can you hear us?
This is Rescue Team Leader to Rescue Base.
Vince, this isn't gonna be a walk in the park.
Two of us are gonna be stretched. VINCE: Copy that.
I'll come down and give you a hand.
Alright, we need to get the pressure off this wound.
What about another box truss?
Rig it across the top, get a harness on,
support him by tensioning the rope off it.
Good idea. We're gonna get you down, Richie.
No, I wasn't drunk, Dean. If you don't believe me, you can ask them.
What? They just decided to arrest you for assault, huh?
It was self-defence. The bouncer started it. I just finished it.
And they backed each other up, spoke some shit to the police.
Hey, watch your language. Ah! Hey, mate.
These bouncers, what - they decided to pick on you for no reason?
Some army guys tried to get into the pub, the bouncers wouldn't let them.
So, the army guys, were they drunk?
They were army guys, Dean. Yeah. This is shit.
Language.
Have you got this guy all day? You've drawn the short straw, buddy.
Ignore him, Noah. He's a moron.
Got it.
You right?
Nice one.
Hello? Hello? Can you hear me?
Hello?
The wheel's pinning her.
I've spoken to the board.
They want me to notify Berlin. I can't raise anyone.
It's one o'clock in the morning there.
Well, we can't wait much longer.
How's Richie doing? Still alive.
But we need to get him into an ambulance.
I'll try Berlin again. Let me know before you're about to cut.
Hello? Can you hear me?
We've got a lot of blood here, Jordan.
She could have neck or spinal injuries.
Yeah, we've gotta get this wheel off her.
Let's get a collar on her first.
Line's in. Hartmann's flowing.
OK, you don't need to see this, mate.
How about you go and sit up on this bench here?
Just wait for me, alright? Can't I stay here?
Nah, best not, mate. I won't be long. Off you go.
Nice of you to join us. I'm here, aren't I?
You do own a phone, don't you? What happened this time?
Why did Deano bring you? Not today, Chase.
How did he manage that? He jumped from the mezzanine.
Can't use power saws - the heat'll go right through him.
Oh, you think? He wouldn't have worked that out.
CHASE: Alright, we're cutting. Go and tell the curator the bad news.
What bad news?
Apparently this thing's worth $2 million.
You've got to be kidding me. I'll give a hand till Heidi gets back.
Alright, Lachie, BP? Good, 90 systolic.
(PHONE RINGS)
Zoe. Hey.
Uh, yeah. Look, we're, uh... we're at the art gallery, actually.
Just thought I'd mix things up a little.
No, I can s... I can see him. He's fine.
Yeah, I will. OK. Thin ice.
What's his name? Richie.
Hey, Richie. How you doing there?
(GRUNTS)
It sounds a bit like Farsi.
(SPEAKS FARSl)
Must be a different dialect.
Alright, get ready to cut.
VINCE: (ON RADIO) I'm here.
Hey.
What are her obs? Is she conscious?
Oh, in and out. Mostly out. BP's on the slide.
This truck been lifted?
As much as we can without compromising her position.
What about the dash? It's compacted down.
Dash is pinning her legs.
This concrete block is not helping. It's gonna take time.
Just make sure she comes out in one piece.
We gonna exit out the back?
Yeah. Good.
Hey, ma'am, I'm Vince from Rescue. What's your name?
Valerie.
We're gonna get you out, Valerie.
Is there anyone we can call? You got family?
Boy... girl.
What are their names?
Valerie? Valerie?
Why are you always looking for trouble?
They started it, Chase.
Yeah, just walk away.
You know what, Lachie? We vouched for you.
But you don't seem to care about anybody except yourself.
Know what, mate? You won't have to vouch for me.
Today's the last day and I'm done. How do you like that?
That'd be right. Never can finish anything you start, can you? Hmm?
She's doing OK. Use a bag.
Her feet are trapped under the pedal. Valerie, can you hear us?
So, what's he do, this new fella? His name's Angus, alright?
He's a lawyer.
(GROANS) Oh. What?!
Valerie Marchant. Stay with us, Valerie.
Oh, the children.
It's OK. We'll contact them. We'll just get you out of here first.
We've got a bullet hole.
She was shot?
That's what it looks like.
I'll notify police.
(CLATTERING)
(GASPS) Oh!
(ALARM PINGS AND BEEPS)
Vince, uh... Heidi's personal alarm's just gone off.
Rescue 4 Portable to Rescue Base.
I'm with Dean and Lachie in the atrium.
I've sent Heidi upstairs to look for the curator
but I haven't had any radio response - over.
Rescue Base.
Chase, just, um, send somebody up there to check on Heidi, will you?
Onto that.
Uh, I've sent Lachie, Michelle.
MAN: (MUFFLED) What are you doing here?
You've got it all wrong! Jesus, no.
No, no, no, no, no, no, no!
Please, please, please, please, please, please, please!
(GASPS) What about my kids, mate? I've got a son.
What's gonna happen to...?
(SOBS)
Please!
Please, you don't have to do this! Don't...
(GUN FIRES)
Shh, shh. Hey... it's Lachie.
Rescue 6 Portable to all units. Me and Heidi are in the art gallery offices.
Multiple shots have been fired. There's a confirmed gunman or gunmen.
At least two fatalities, including the curator.
Shit. Where's Noah?
I've gotta find him. Will you be OK? Yeah, go, go, go. I'll manage.
Rescue Base to all units.
Those units in the gallery, evacuate immediately.
Vince, set up a command post near the gallery.
I will notify the police. Over. Copy that, boss.
Rescue 5 Portable to Rescue Base.
Lachie and I are gonna try to evacuate anyone we can find. Over.
You wait here.
Where are you going? This guy needs to be stopped.
He won't be hard to find. Let the cops find him.
Heidi, it's not good strategy to stay here, waiting to get shot.
You take the enemy on their ground. What?!
You're not fighting a war, Lachie.
It's your job to rescue people, period.
Well, there might not be anybody left to rescue, Heidi.
You listen to me. I need you here with me, OK?
I have seniority over you and I'm ordering you to...
I can't. Lachie, I can't do this by myself.
I need you to stay. Please. Alright.
OK.
Alright.
Richie, I'm gonna cut you down, OK?
Rescue 4 Portable, this is Vince. Get the hell out of there.
Uh, yeah, Rescue 4 Portable, Vince. I can't leave at this time.
The patient won't survive without supervision.
Dean's gone to get Noah. Copy that.
Shit!
Alright, Rescue 4 Portable, I'll organise some protection for you. Out.
VINCE: It's OK, Mrs Marchant. The police are on their way.
She'll be in shock. Keep her calm. I'll get some assistance when I can.
You gonna be alright? Yeah.
Heidi's up there. At least Lachie's with her.
(PHONE RINGS)
OK, so, what's our exit strategy?
Lachie, we should go back for that guy.
He's dead, Heidi.
(WOMAN GROANS) Lachie!
(GROANS)
We're from Rescue.
LACHIE: How many people work in this building, exactly?
Five people. The rest of the office come in next week.
We're gonna get you out, OK?
Who was that person shooting? He just came in and fired.
We don't know yet, OK? But my name's Heidi and that's Lachie.
Her name's Harriet. I'm Jacob.
OK, you've been shot in your shoulder and in your side.
Can you feel your legs? (CRIES) Yes, but they're weak.
Besides the stairs, mate, where are the exits in this place?
There's a security door on the bottom floor, but it's locked and alarmed.
Is there windows that open onto the roof or anything?
Yeah, they're all sealed. It must be because of the artworks, I suppose.
OK, what about bathrooms? Is there something with a window in it?
Yeah, one on the floor below.
The window opens. I saw one of the clerks having a smoke.
Oh, good work.
Jacob, I need you to guide us down there. Can you handle that?
Don't be afraid. You're with us, you're safe.
Yeah.
She won't be able to walk, Lachie.
She won't need to.
(METAL FALLS ON FLOOR)
Keep pressure on those wounds, will you, Jacob, OK?
That's it, good work.
(GROANS) It's that window, there.
(CONTINUES GROANING) Shh.
It's just a short drop down to the canteen roof.
(GROANS) He shot me.
Who shot you? I was... just getting in the car and...
(GASPS)
Rescue Command to Rescue 1 Portable. What's the situation in there?
Uh, well, Dean's still looking for Noah and I can't start without him.
Any sign of Noah out there?
Not yet. We're on the lookout. Over.
OK, I'm gonna ease myself through, then I'm gonna take the others.
We'll start with Harriet. (HARRIET GROANS)
I've never been in the men's bathroom before.
It's a joy, isn't it? Come on, guys, let's go.
Harriet, this is gonna hurt a bit. I need you to hold it back.
Can you do that? Alright. One, two, three.
(HARRIET WHIMPERS)
A list of evacuees.
Vince, it's Dean. I need to know if Noah's safe.
Age nine. Noah Hulme.
Deano, there's a Noah aged about nine.
He's in a red T-shirt, been found, safe and sound.
Sound like him? Yeah. Yeah, yeah.
He's wearing a red shirt. OK, I'll head back to Chase.
Jacob, I need you on the door for one minute.
Rescue 6 Portable to Rescue Command.
LACHIE: We believe there were five to six people present
at the time of the shooting.
I've got two confirmed deceased, and at least one gunman -
approximately 20 to 30, white male, carrying a 9mm pistol.
He's also got a backpack, contents unknown.
So, potentially, there could be more weapons and ammo.
We're evacuating two civilians via the canteen rooftop.
I repeat, the canteen rooftop. Going to radio silence now.
All phones to vibrate. Out.
I need protection for my two people in the atrium.
Chase, I'm back. Good. Grab the rope, grab the rope.
Got it.
(PHONE BEEPS) Yeah, Zoe.
ZOE: Are you in the gallery? Yes, I am, but Noah's OK. He's outside.
There's been no shooting down here. He's safe?
Yeah. Look, I can't talk, I'm in the middle of a rescue.
I'm on my way. Won't be long.
ZOE: Please be careful. I will.
Rescue Base to Rescue Command, I'm heading down there.
Copy that, Michelle. Rescue Command to all units.
I'm going in to help with the impalement extrication.
Rescue Command out.
CHASE: Nearly there.
Nearly there.
You did well, Jacob.
HEIDI: OK, feet first, Jacob. That's it. Mind your head.
LACHIE: Attaboy.
HEIDI: Mind your head. Here you go.
OK. I'm going after this guy.
No, you're not. What if there's more like Harriet?
You're coming with me.
The best way I can help is to take this guy out.
(WHISPERS) Lachie!
Idiot!
VINCE: Respiratory arrest. Go, go, go. Bag him.
DEAN: Yeah. It's coming down.
On his side. That's it.
GUNMAN: (MUTTERS) Not anymore. Not anymore.
(SHOUTS) They've got to pay attention to me now!
(MUTTERS)
Alright, shh.
(WHISPERS INDISTINCTLY)
GUNMAN: I'll find you.
I'll find you!
Let's go. How's his breathing?
Yeah, he's been breathing spontaneously for about four minutes.
Let's get him out of here.
(SIREN WAILS)
You did a really good job, Jacob.
Harriet's gonna make it because of you.
He killed Gemma, didn't he?
Yeah.
She was really nice.
Do you want any help here? No, I think we've got it covered.
You just stick around and get yourself checked out, OK?
(SIGHS) Good work up there, Heidi.
Are you up to helping out Lara and Jordan?
Yeah, yeah, of course.
Have you heard from Lachie? Not yet.
Noah, hey! Noah.
Sorry.
Noah!
Hey, I'm looking for a kid - uh, Noah Hulme.
He's about nine years of age, he's got a red shirt, dark hair.
No, that's not him, that's not him, that's not him.
Sh... it!
Lachie's SAS trained. He can handle it better than you can.
Yeah, and if he's wounded? Noah's not out here.
I thought we found him. It's a mix-up.
I'm going back in. No, I won't let you.
Put me on report. Yep, me too.
Oh, shit!
Don't get yourselves bloody killed!
Noah!
Maybe Lachie found him. Maybe.
(PHONE BUZZES)
Hello. (ON PHONE) It's Noah.
Noah, where are you, mate? Are you in the gallery?
Yes. But I don't know where. I was trying to hide.
OK, just describe where you are.
It's... it's like a big shed with old frames and things.
But I've locked myself into this little room.
I can't get out.
It's OK. Just sit tight. We're coming.
Rescue 4 Portable to Rescue Base.
Is there some kind of restoration or storage area down here?
Uh, I'll just check.
VINCE: Yeah, restoration area.
Basement level, under the offices, east wing.
(DOOR SQUEAKS)
(DOOR CONTINUES SQUEAKING LOUDLY)
(DOOR CLOSES)
(BREATHES LOUDLY)
(WHISPERS) Where is he?
He said he was locked in somewhere down here.
Noah? (KNOCKS)
(DEAN CONTINUES KNOCKING) Noah?
Dean? Yeah, yeah, it's me, mate.
(BOTH GRUNT)
DEAN: Noah, the door's locked. We're gonna get it open soon, OK?
So, what happened?
NOAH: I heard somebody say a man was shooting.
Hello, Vince. It's Chase. I tried to find you.
Alright, we found Noah. He's in some kind of cool storage room.
We need a PIN code to access it.
Is there someone with you? Just my brother, Chase.
(KNOCKS TWICE) G'day, Noah.
Alright, they're trying to find someone who knows it.
So, Noah... how come you waited so long to call me?
I was scared you'd be angry.
(SIGHS) Mate... it's my fault, not yours.
I should never have left you.
Is... is there really someone shooting at people?
Yeah, mate, there is.
But I'm not gonna let anybody hurt you. OK?
(DOOR BANGS) Shh... shh.
(WHISPERS) OK, Noah, I need you to be quiet for us.
Can you be quiet for me?
Smart kid.
Brendan Lockyer, State Protection Group.
Michelle LeTourneau.
I've got three of my guys and a boy in there. Go easy on the trigger.
Don't worry. We want to assess the situation accurately.
We've got a dozen people trapped in a theatrette.
The information your bloke's given us is good. Former SAS?
Haven't heard from him for a while. Vince, this is, uh, Brendan Lockyer.
BOTH: G'day. He's running tactical response.
Your techies will tap into the gallery's CCTV system to get real-time visuals.
Excellent. Excellent.
Rescue Commander, Rescue 2 Portable. How are you doing there?
Rescue 2 Portable, we've immobilised the patient,
strapping her in now and preparing to extricate her.
Rescue 5 Portable, I'm on site. Vince, any word from the others?
Not since last time. Dean and Chase are extracting Noah.
Hi. Command out.
Hey. How ya going?
Yeah, I'm OK.
You right to do this? I want to help.
(PHONE RINGS)
What if we remove the top two support struts?
I need an angle grinder.
And a deaf gunman.
Take the bolts out and pull the whole thing off?
Yeah. You got a spanner?
Yeah. Got this.
It'll have to do.
(PHONE BUZZES)
Is that Vince? No.
Lachie. Where are you? Yeah, hold on a sec.
Alright, Lachie's trapped in an office on the next floor.
He's with a woman with severe blood loss.
He wants me to bring the Hartmann's.
Look, I'm OK with it, if you're right here.
We'll be OK.
Hey... be careful.
Lachie, coming to you.
I've got no monitor, but I've got your Hartmann's.
No, that's alright. Carla? (MOANS)
We're gonna give you some fluids now, OK?
How's the boy?
He's trapped in some kind of cool room and Dean's getting him out,
but it's slow-going.
DEAN: You doing OK, mate?
Why is the man shooting at people?
I've got no idea, Noah.
People get... mixed up and angry.
Sometimes they just go too far.
But, hey... there's a whole heap of people outside
thinking of all sorts of ways to get us out of here, OK?
Mum will be worried.
(GRUNTS) Yeah, she will be.
So, we'd better get you out of there as quick as we can, right?
(PHONE VIBRATES)
Yeah. Yeah, Lachie's good.
We're doing alright but she needs the both of us. Can you cope?
Hey, Noah, are we coping?
It's sort of hard to breathe in here.
OK, that's OK, that's OK. Look, just... don't move at all, OK?
Just sit down and be still.
I'll get this open soon.
Alright, listen, he's running out of air.
I need to get this door open... now.
I can't leave her. She's critical.
Oh... shit.
Alright, I gotta go.
So much for our day out, huh?
Come on!
Oh, yes!
OK, Chase, I'll keep you informed. Keep safe.
Your shooter's wandering around the corridors.
They're just sitting tight.
She's looking better.
Yeah, fluid's kicking in.
You going after this guy unarmed - you're a psycho.
It's what you do.
This is harder, the shit you guys deal with.
In the SAS, you take someone out, you move on.
There's no concern, there's no looking back.
But here, you're always picking up the pieces.
You could have talked to me or Dean.
No.
Thought it'd go over a few beers.
(SIGHS)
SPG are gonna secure the theatrette first.
Vince, he's running out of air. I need that PIN code now.
Well, the curator changed the code this morning and she's, uh...
...she's dead.
Oh, right. I'd better get on with it.
We've gotta get in to Dean and the kid.
How you doing in there, Noah?
NOAH: I'm not very good at sport.
I'm not very good at anything.
I like building things with my LEGO.
You know, my dad's a builder.
When I was your age...
(GRUNTS)... I used to go out on jobs and help him out.
Well, probably wasn't much help. Mainly, I just used to make the tea.
But I tell you what - I was a lot better than my brother, Lachie.
He used to take Dad's tools and... oh, do his own improvements.
And Chase... well, Chase just got the cushy jobs.
Probably 'cause he was the youngest.
Is it fun having brothers?
Yeah.
Sometimes you forget it but... I guess it is.
I wish I had a brother.
(GRUNTS) Or even a sister.
(SIGHS)
You know, I used to wish I had a little sister.
Maybe she would have brought her girlfriends home.
Uh, according to the staff, the curator had an appointment today
to receive a valuable art donation from a Carla Marchant.
The wounded woman's Carla, yeah?
The name of our MVA victim is Valerie Marchant.
It can't be a coincidence.
Uh, yeah, Vince, we'll check.
Carla... is your mother Valerie Marchant?
Yes.
Do you know who shot you?
My brother, Rhys.
(SHOUTS) Carla!
You can just give away what's mine?!
This guy came to kill his mother and his sister.
He's gonna nail anyone who gets in his way.
He's... methodically checking everything.
SPG to Command. Over.
Alright, guys, a unit's entered the east side of the building
to secure the theatrette.
Your guy's next. They may not have much time.
Yeah, copy that, Vince. We have to get her out of here.
Tell him we'll head to the rear exit, ground floor.
You get that?
(GRUNTS) Shit.
(PANTS) You still with me, Noah?
(GASPS FOR AIR)
OK, Vince, I've got the bolts off it. I can't get the door off the rollers.
I need to get through this lock now.
VINCE: Well, can you just bust it?
Probably.
It's gonna make one hell of a racket.
(PANTS)
Here we go.
(DOOR BANGS)
(BANGING CONTINUES)
(METAL BAR HITS THE FLOOR)
Hey! Hey, hey, hey. (NOAH GASPS)
Up you get, up you get, up you get.
I've got you, I've got you, got you.
Just breathe, just breathe.
(PHONE RINGS) Oh!
OK, we need to go, mate. Can you stand up?
Come on, up you get. I've got you.
Where are they? Where's Noah? Zoe! Um...
Is he in there?
He's, um... yes, he's in there. He's with...
No, no, no. I spoke to Dean. Dean told me he was outside.
He told me he was safely outside. OK, there's been a mix-up.
He is with Dean.
OK, so, my boy's in there. You're telling me he's inside.
Yeah, he's inside, and he's gonna be fine.
Noah is safe, Zoe.
Right, get me the corridor near the restoration area.
(PHONE BUZZES)
Yeah.
Dean, he's in the corridor outside, headed straight for you.
Understood. Listen, can you kill the lights when I say?
VINCE: Yes, we can.
Right, stay on the line. This way.
Alright. Stay here. I need you to not make a sound, alright?
Everything's gonna be OK. Alright?
(DOOR SQUEAKS)
Hey!
Oi! Oi!
Now.
Aaaagh!
SPG Command to all units - proceed with extreme caution.
Shooter is in close proximity to civilians.
(GRUNTS AND PANTS)
LACHIE: Oh, shit, he's shot the lock. Chase?
OK, shh, shh. Come on, come on.
LACHIE: Alright, go.
Righto.
Hey, hey, hey, it's me. It's Dean. Hey.
Tell me we've got a plan. The rear exit's a no-go.
I passed a dumb waiter upstairs
which leads into the canteen - there's an exit there.
We can't go this way. Rhys is down this end.
CHASE: Alright. Middle stairs? LACHIE: Good.
DEAN: Vince, bumped into Lachie, Chase and their patient.
Heading upstairs to a dumb waiter which will bring us out at the canteen.
VINCE: SPG are gonna put the lights back on. We're blind out here.
Yeah, yeah, OK. Just give us a few more seconds.
I'm on my way to come and find you, Carla!
(WHISPERS) OK, let's go. This way, this way.
Yes, there it is. Alright, put her down.
Lachie, go keep an eye out. Noah, I'm gonna send you down first.
Vince, we're sending the boy down.
I don't want to go in there.
Hey, this, uh... is like an adventure.
I mean, there is no way your mum would let you do this, right?
Hey, I'll come too. I've always wanted to ride in one of these.
OK.
Come on, come on, come on, come on.
In you get.
Alright, here we go.
(DOOR BANGS)
CHASE: (ON PHONE) OK, we're out.
Sending it back up to you now. Yeah.
What's happening? Shh, shh, it's OK.
We're gonna get you out of here.
RHYS: Carla! He's close, Dean.
(SHOUTS) Carla!
There's Marchant. SPG Command to all units.
Shooter has been sighted on the basement level, east wing.
Move in now.
(SHOUTS) Carla!
Patch me through to the gallery's P.A. system.
We need to slow him up. Trust me.
Rescue Command to Rescue 2 Portable. Lara, do you copy?
Go ahead, Vince. VINCE: Put Mrs Marchant on.
She's barely conscious. Now, Lara.
She's on, Vince.
Valerie, do you hear me? It's Vince from Rescue.
She can hear you, Vince.
Valerie, we need you to talk to Rhys. Can you do that?
I don't think he'll listen.
You have to make him, Valerie. Lives are at stake. His too.
LARA: She'll talk.
Carla!
(FEEDBACK SQUEALS ON P.A.)
VINCE: (ON P.A.) Rhys, this is Vince Marchello from Rescue.
I've got someone who wants to talk to you.
VALERIE: Rhys, can you hear me?
Put away the gun, son.
This is between us, Rhys. You don't want to hurt these people.
How do you know what I want, bitch? You never know what I want!
(FIRES GUN)
Shh, it's OK, it's OK. You stay with her, Dean.
Lachie, no. No time.
Lachie! Lachie!
Rhys!
(FIRES GUN)
How are you, Rhys?
OK. Just sit tight.
I heard about what happened.
Carla gave away your inheritance, didn't she?
They had no right.
No.
But I tell you what -
you put the gun down, me and you can talk,
we can sort this out.
Patient's on the way down.
You need to give up, Rhys. Your mother's gonna make it.
So is Carla.
I'm here to make sure you do too.
I... No, I can't.
(CRIES) I can't... I can't get out of this, not after what I've done.
Yes, you can. You put the gun down now.
I'm here for you. I have no gun.
You need to trust me.
You trust me?
OK, don't move, Rhys. They have you locked on.
If you move, they will kill you.
No, you don't need to do this, Rhys. Rhys, you...
(GUNS FIRE)
Lachie!
Target is down. Say again, target is down.
Freeze! Hey, whoa, whoa.
Weapons-free. I'm with Rescue.
You OK?
Yeah. Yeah, I'm OK.
(SIREN WAILS)
LACHIE: I'm sorry about your brother.
The good news is your mum's gonna be alright.
Thank you.
I'll get you to lay down.
Hell of a last day.
Yeah, no, I've gotta stick around, mate...
...watch you guys' backs.
(PHONE RINGS)
He's persistent. What did you say?
I said I'd meet him tonight for a drink.
(CHUCKLES) I'm gonna need one after today.
So, are Dean and me on report?
I'll let it slide this time. Dean might have enough worries.
It's not like I brought Noah here knowing what was gonna happen.
Dean, please, don't give me excuses. I just... I don't want to hear it.
Can we at least talk about this? No! I can't even think right now.
OK, OK.
I'm gonna go.
(STARTS ENGINE)
Looks like I'll reschedule my date.
I've been in that place before.
He's a good kid.
Come on.
(PHONE RINGS)
SONG: # See them crawlin'
# Their faces on the ground
# My heart keeps jumpin'
# I want to stay around
# Now they can't hear me
# I ain't too young to die
# But before I let you take me
# You gotta look me in the eyes
# I'm gonna get a little dirty
# I'm gonna get a little dirty, yeah
# I'm gonna get a little dirty. #